In “write” mode, it behaves like any other word-processing program. “What a crass, commercial rip-off” I thought, when a friend told me about it. That’s why I scoffed at the Hemingway Editor. There’s something appealing and even admirable about that in our age of gimmicks and spin.

He says what he means, and he doesn’t waste your time. Love him or loathe him, you can’t argue with Hemingway’s directness. By getting it wrong, though, I’ve come to appreciate the ways Hemingway got it right. There are so many ways a writer can go wrong. I’ve spent most of my life wrestling with words - and I’ve lost most of the matches. “This is literature?” I wondered.īut the economy of Hemingway’s writing struck me when I reread it a few months ago. The writing seemed simple, almost childlike. Still, A Moveable Feast didn’t impress me when I read it in high school. Ernest Hemingway worked at the Kansas City Star for only six months, but the newspaper’s style guide forever shaped his writing:

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